The Art of Documentary Filmmaking: Finding Truth in Storytelling
Documentary filmmakers face unique challenges with every new project. Audiences desire content that is visually stunning, engaging, and full of surprises, while filmmakers must adhere to strict factual accuracy. Unlike their counterparts in scripted cinema, documentarians cannot easily adjust the narrative to fit a preconceived story; they must faithfully follow the truth wherever it leads.
This delicate balance was a central theme at the Truth Seekers Summit, co-hosted by Variety and Rolling Stone on August 14. The panel featured leading documentary filmmakers, each bringing their own distinctive style, subject matter, and approach to storytelling. Despite their differences, a common thread unites these creators: a dedication to using artistic tools to unveil unexpected narratives.
Many of the documentaries discussed at the summit explore significant figures and events within the entertainment industry, using familiar faces and images to delve deeper into the cultural forces that shape our lives. For example, R.J. Cutler, known for his work on "The September Issue" and "Billie Eilish: The World’s a Little Blurry," recently released two personality-driven documentaries: "Elton John: Never Too Late" and "Martha." Both films rely on the participation of their subjects—Elton John and Martha Stewart—yet Cutler maintains control over the narrative, highlighting John’s struggles with addiction and acceptance of his sexuality, as well as Stewart’s experiences with insider trading. These stories of resilience showcase the enduring spirit of both icons.
Another panelist, Bao Nguyen, has also released two films this year, each capturing pivotal moments in media culture. "The Greatest Night in Pop" offers a nostalgic look at the creation of "We Are the World," a charity single aimed at raising awareness and funds for Ethiopian famine relief. In contrast, "The Stringer" presents a hard-hitting investigation into the true authorship of the iconic "Napalm Girl" photograph, challenging the attribution of one of the 20th century’s most famous images. Both films examine the impact of cultural phenomena, with Nguyen skillfully weaving archival footage and interviews to engage viewers.
Mary Robertson, another prominent voice on the panel, has a history of using cultural touchpoints to explore complex ethical issues in entertainment. Her latest docuseries, "The Fall of Diddy," investigates allegations of violence against Sean Combs, while also examining how his fame afforded him protection from scrutiny. Robertson emphasizes the journalistic skills required in documentary filmmaking; finding willing subjects to speak out against powerful figures presents a unique challenge, yet it is essential for a compelling narrative.
Elegance Bratton brings a different perspective with "Move Ya Body," which chronicles the rise of house music—a genre largely shaped by Black and queer creators. This film captures the essence of a musical revolution that emerged as a response to the anti-disco backlash of the late 1970s. Bratton’s ability to weave together various strands of this complex story showcases his talent as a storyteller.
Jennifer Tiexiera has also explored themes of creativity and confidence in her recent work. Her documentary "Rebbeca" follows the journey of pop star Becky G as she prepares to release her first album in regional Mexican music. In contrast, "Speak," co-directed with Guy Mossman, focuses on five high school students gearing up for a speech-and-debate competition, transforming their ordinary lives into an extraordinary narrative.
All of these documentaries, each in their own way, serve a greater truth. They highlight the intricate humanity behind seemingly light topics, allowing audiences to connect on a deeper level. The final panelist, Dan Krauss, presents "Bodyguard of Lies," a film that examines the discrepancies between public statements made during the Afghanistan war and the reality on the ground. Krauss employs a poignant storytelling style to tackle this complex and emotional subject.
What sets documentary filmmaking apart from traditional journalism is its capacity for artistic expression and advocacy. While both aim to differentiate fact from fiction, documentary filmmakers can assert their viewpoints more openly, allowing for a richer narrative experience.
As the documentary landscape continues to evolve, the future remains uncertain. With media industries contracting and opportunities for innovative storytelling diminishing, the work of these filmmakers becomes even more crucial. Their commitment to inquiry, curiosity, and fearless storytelling is needed now more than ever, whether they are exploring the world of disco or delving into the complexities of American foreign policy. The spirit of truth-seeking in documentary filmmaking will undoubtedly inspire audiences and provoke important conversations for years to come.